The sea is a place for grown-ups: (sur)experiences of those who have ASÈ
Abstract
This article explores Congada as an insurgent and decolonial pedagogical practice, highlighting its power as a system of Afro-Brazilian knowledge, memory, and spirituality. Drawing from the experiences of the Terno de Congada do Penacho in Uberaba (MG) and from reflections generated in the course Interculturality and Popular Education: Afro-Amerindian Decolonial Knowledges (UFMT, 2024), the authors — educators and congadeiros — present the concept of Congadeira Pedagogy, which articulates Musicality, Orality, and Ancestrality. Through bio-narratives, conversation circles, and dialogues with thinkers such as Paulo Freire and Gloria Anzaldúa, the text challenges the coloniality of knowledge in formal education, proposing a “tide-like” (fluid and collective) form of learning, where knowledge emerges from the body, dance, and drums.
The personal experiences of Sandy Prata, Joana Eugênia, Lucas Borges, and Rafael Honorato illustrate how Congada, Candomblé, and Capoeira form integrated, healing, and political systems of knowledge. The article concludes with calls to action: to recognize traditional masters as intellectuals; to create evaluative methodologies based on affection and ancestry; and to transform academia into a space of active listening to marginalized knowledge systems. As General Piu, leader of the Terno do Penacho, states: “In Congada, we don’t memorize; we embody.” Thus, Congada is not an object of study, but an epistemic subject that reinvents education and freedom.
