<b>The narrative of a Samba song and its social inscription: a linguistic-discursive analysis of the enunciation

  • Débora Facin Universidade de Passo Fundo
  • Ernani Cesar de Freitas Universidade de Passo Fundo
Keywords: scenography, discursive ethos, samba song, carnival

Abstract

The samba song Extra! Extra! A Vale Samba apresenta. ‘Evolução, revolução... O fantástico mundo da comunicação’ of the 2012 Carnival is analyzed. The song, prepared by the Vale Samba carnival band of Joaçaba, a mid-western town of the State of Santa Catarina, Brazil, is investigated specifically by the scenography concept and discursive ethos foregrounded on the theory by Dominique Maingueneau (1997, 2006, 2008a, 2008b, 2008c, 2010, 2011a, 2011b). Research is methodologically characterized as exploratory and descriptive. The reading and analysis of its corpus, through the enunciation point of view, reveal that the Samba song does not only present a specific compositional structure, but it is also characterized by ambivalence due to specific semes of the carnival scene in its syntagmatization.

 

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Author Biographies

Débora Facin, Universidade de Passo Fundo
Doutoranda em Letras pela Universidade de Passo Fundo; Mestre em Letras pela mesma Universidade; bolsista Capes.
Ernani Cesar de Freitas, Universidade de Passo Fundo
Doutor em Letras pela PUCRS, com pós-doutorado em Linguística Aplicada e Estudos da Linguagem (PUC-SP/LAEL); professor do Programa de Pós-graduação em Letras da Universidade de Passo Fundo;
Published
2016-04-27
How to Cite
Facin, D., & Freitas, E. C. de. (2016). <b&gt;The narrative of a Samba song and its social inscription: a linguistic-discursive analysis of the enunciation. Acta Scientiarum. Language and Culture, 38(2), 195-206. https://doi.org/10.4025/actascilangcult.v38i2.26359
Section
Linguistics

 

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0.1
2019CiteScore
 
 
45th percentile
Powered by  Scopus