The 18th century is more advanced than the XXI century: an utoetnography experience
Abstract
This article aims to make a negative cultural autoethnography of the visit to the cinema to watch the opera Cosi fan tutte (1789), by Wolfgang Amadeus Mozart at the Galleria Mall in Campinas. The production was performed musically by Philippe Jordan and choreographically by Anne Teresa De Keersmaeker for the orchestra of the Opéra National de Paris, launched in Europe in 2017 and arriving in Brazil in the first half of 2018 thanks to the Opera Festival on the Screen. Taking into account the contradictions in the relation between opera and cinema and how these tensions intensify when transferred from the axis of Europe and the USA to countries of late modernization, this self-ethnographic study of the going to the opera intends to criticize the idea of a notion of time as a progression abstract and homogeneous.
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