<b>The dehumanized human being in a nonsense world: Samuel Beckett and the absurd hero</b> - doi: 10.4025/actascilangcult.v33i1.6485
Abstract
This essay discusses the construction of the characters in Waiting for Godot by Samuel Beckett, based on Martin Esslin’s studies on the Theatre of the Absurd, a form of drama that emphasizes the absurdity of human existence by employing split subjects, repetitions and meaninglessness as artistic reactions to World War II.Downloads
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