<b>The sublime and the grotesque: obscenity in Hilda Hilst
Abstract
The present work aims to discuss the dialogical relationship between sublime and grotesque in the work A obscena Senhora D by Hilda Hilst, based on its status of contemporary fiction permeated by reconditioning of the language in its performance in the non-linear time. In this sense, it was used studies of the sublime, as a historical and philosophical and literary concept in the works of Longinus, Edmund Burke, Immanuel Kant, Victor Hugo and François Lyotard; issues relating to discussions on the grotesque and its dialogue with the sublime ways, the works of Mikhail Bakhtin and Michel Maffesoli had great importance - the poetic and obscene relationship of the work discussed in convergent concepts such as obscenity, eroticism, sacred and profane. From these analyzes, it was concluded that in A obscena senhora D the sublime and the grotesque show in a multifaceted character, contradictory, interlocutory, and therefore not exclusionary: solidifying the hybrid linguistic-imagistic flow of the hilstiana literature.
Downloads
DECLARATION OF ORIGINALITY AND COPYRIGHTS
I Declare that current article is original and has not been submitted for publication, in part or in whole, to any other national or international journal.
The copyrights belong exclusively to the authors. Published content is licensed under Creative Commons Attribution 4.0 (CC BY 4.0) guidelines, which allows sharing (copy and distribution of the material in any medium or format) and adaptation (remix, transform, and build upon the material) for any purpose, even commercially, under the terms of attribution.
Read this link for further information on how to use CC BY 4.0 properly.
6.png){kind=logo}
