Poetry in the balance of the waves of the network
Abstract
This article aims to analyze how the relationship between music and poetry takes place through performances in the network environment. In the light of Paul Zumthor's (2010) theories about performance and orality in poetry and Pierre Lévy (1999) in dealing with new ways of conveying information, we try to trace a logical axis that clarifies how it would be possible to be popular poetry through these new languages from the new communication platforms. For this mission, we approached the processes of virtual literacy and user training, as well as, how the transmission of such primitive expressions on such modern platforms has taken place. Understanding with the help of Saussure (2004) that language is the union between ‘thought and sound’, we aim, through the study of oral poetics, to understand how poetry has survived in times of physical distance and virtual approaches. How to take the emotion of the poetic word through performances without being physically close? From ancestral poetic spells to optical fiber spells, what awaits us?
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