Interpreting hegemonic themes in the electronic forró
DOI:
https://doi.org/10.4025/actascilangcult.v36i1.20245Keywords:
critical theory, cultural studies, culture industry, popular music, electronic forróAbstract
Current investigation analyzes hegemonic themes in the music of electronic forró (Brazilian dance). The critical theory of Theodor W. Adorno and Cultural Studies revealed: a) the main thematic patterns and clichés of the genre; b) the meanings of these thematic patterns; c) and some hypothetical implications for the consumer. The above implies certain relations of domination reinforced in and by the consumption of the electronic forró.
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