The form of flirting: subjectivity and fragmentation in Serafim Ponte Grande, by Oswald de Andrade
Abstract
This essay suggests that the multifaceted, fragmented and heterogeneous form that characterizes the originality of the novel Serafim Ponte Grande, by Oswald de Andrade, can also be read as a mimetic result of a process of apprehension in a subjective way that is evident and predominant from of the 20th century
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