<b>An epiphanic final effect narrative: the permanence of romantic architecture</b> - doi: 10.4025/actascilangcult.v34i1.6597
Abstract
The narratives’ final effect in Raul Pompéia’s and Érico Veríssimo’s short stories always reveals an ironic revelation and deals with the contradiction between the Idea and its manifestation. This resemblance shows a romantic architectural form in 20th century Brazilian literature. Raul Pompéia’s O modelo do anjo and Érico Veríssimo’s Esquilos de outono are compared since they both have the ideal, albeit decaying, model motif. The same strategy is revealed when Edgar Allan Poe’s The oval portrait and Charles Baudelaire’s prose poem La corde are investigated and compared.
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