<b>Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima's <em>Invenção de Orfeu</em></b> - doi: 10.4025/actascilangcult.v33i1.6614

  • Luciano Marcos Dias Cavalcanti IEL/UNICAMP
Keywords: modern poetry, surrealism, Invenção de Orfeu, Jorge de Lima

Abstract

This work presents, in a didactic manner, a few considerations about the use made by Surrealism of some exemplary techniques in modern poetry (such as automatic writing, the dream, the image, and the collage) to achieve its aesthetic project that privileges the dream and imagination as artistic practice. As a point of convergence between poetic practice and theory, we will take as example poems ‘XXIII’ and ‘XXIV’ of the First Canto of Jorge de Lima’s Invenção de Orfeu.

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Author Biography

Luciano Marcos Dias Cavalcanti, IEL/UNICAMP
Doutor em Teoria e História Literária- IEL/UNICAMP Publicação de Livro: “Música Popular Brasileira e Poesia: a valorização do ‘pequeno’ em Chico Buarque e Manuel Bandeira”. Belém-Pará: Editora Paka-Tatu, 2007.
Published
2011-03-28
How to Cite
Cavalcanti, L. M. D. (2011). <b>Modern Lyrics and Surrealism: An interpretation of poems XXIII and XXIV of the First Canto in Jorge de Lima’s <em>Invenção de Orfeu</em></b&gt; - doi: 10.4025/actascilangcult.v33i1.6614. Acta Scientiarum. Language and Culture, 33(1), 121-131. https://doi.org/10.4025/actascilangcult.v33i1.6614
Section
Literature

 

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0.1
2019CiteScore
 
 
45th percentile
Powered by  Scopus