The being-towards-death in Ópera dos mortos, by Autran Dourado - DOI: 10.4025/actascihumansoc.v29i1.119

Authors

  • Evely Vânia Libanori UEM

DOI:

https://doi.org/10.4025/actascihumansoc.v29i1.119

Keywords:

Ópera dos mortos, ser-para-a-morte, consciência da morte

Abstract

The aim of this paper is to raise the several registers related to death, which, in Ópera dos mortos by Autran Dourado, show the being-towards-death as studied by Martin Heidegger in Being and time. Rosalina, the main character, is confined to a two-story house without any contact with other people, except for Quiquina, a dumb servant. Rosalina lives in a permanent reverence to her ancestors in order to maintain the disdain and hate that her father felt in relation to the inhabitants of the small town where they used to live. Rosalina´s refusal to break the family’s values brings nothingness and desolation to her life. When Rosalina, repeats behavior models, refusing to make herself original, death reaches her. Life is summarized as being-towards-death and consists of an exhausting task facing many unexpected risks.

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Author Biography

  • Evely Vânia Libanori, UEM
    Passui graduação em Letras pela Universidade Estadual de Maringá (1988), mestrado em Letras pela Universidade Estadual Paulista Júlio de Mesquita Filho (1996) e doutorado em Letras pela Universidade Estadual Paulista - Júlio de Mesquita Filho (2006). Atualmente é professor efetivo da Universidade Estadual de Maringá. Tem experiência na área de Letras, com ênfase em Literatura do século XX Currículo Lattes

Published

2008-06-19

Issue

Section

Literature and Linguistics

How to Cite

Libanori, E. V. (2008). The being-towards-death in Ópera dos mortos, by Autran Dourado - DOI: 10.4025/actascihumansoc.v29i1.119. Acta Scientiarum. Human and Social Sciences, 29(1), 23-30. https://doi.org/10.4025/actascihumansoc.v29i1.119

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