From Jena to Nerval: ‘a romantic’ - doi: 10.4025/actascilangcult.v34i1.10431
DOI:
https://doi.org/10.4025/actascilangcult.v34i1.10431Keywords:
Romanticism, ethic-aesthetic, poetry, madnessAbstract
This brief introductory and critical essay, though focused on the French romantic poet Gérard de Nerval, has as principle and basic structure the questioning of Romanticism. Our main concern was to discuss the revolution proposed by the first romantics, the famous ‘school’ of Jena, thus analyzing theirs most important manifest, as well as certain poietic concepts regarded as decisive in its ethical, aesthetic and political project, such as the ‘new mythology’, the ‘sublime’, the ‘genius’ and the ‘symbol’. As a final thought we regard as an example the French poet as a living icon of the same concepts, we develop a reading that seeks an opening in the reader’s interpretation of his most famous work, The Chimeras.
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