Thomas Hardy: aesthetic theory and literary works
DOI:
https://doi.org/10.4025/actascilangcult.v36i1.18557Keywords:
Thomas Hardy, representation, realismAbstract
Thomas Hardy’s perspective on aesthetics and literature, retrieved from his personal notebooks and from his only three theoretical essays on the subject, is examined. The Profitable Reading of Fiction (1888), Candour in English Fiction (1890) and The Science of Fiction (1891) are investigated, compared and contrasted with Georg Lukacs’ ideas on the aesthetics of Realism and Naturalism (1968), with special emphasis on the points of contact between the two authors. A discussion also ensues on how Hardy’s theories on literary aesthetics are developed in his own literary production with regard to some short stories and novels. Critics’ perspectives on Hardy’s role in the history of English literature are also investigated.
Downloads
Downloads
Published
Issue
Section
License
DECLARATION OF ORIGINALITY AND COPYRIGHTS
I Declare that current article is original and has not been submitted for publication, in part or in whole, to any other national or international journal.
The copyrights belong exclusively to the authors. Published content is licensed under Creative Commons Attribution 4.0 (CC BY 4.0) guidelines, which allows sharing (copy and distribution of the material in any medium or format) and adaptation (remix, transform, and build upon the material) for any purpose, even commercially, under the terms of attribution.
Read this link for further information on how to use CC BY 4.0 properly.
How to Cite
